Post by Tim PantingAs for composing a piece for the classical guitar, or any other classical
instrument, it must be asked why?
For the same reason that pushes a man to become a father and a woman to
become a mother, even before the evidence that there are already too many
guys here around, and also too many stupid ones. I receive each week some
compositions, and my attitude toward their authors is sometimes the same I
would take toward the parents of Jack the Ripper. One would take exception
from their son, not from their holy right of making babies.
Post by Tim PantingIt's not going to earn you any money so why do it?
Majority of people all the world over live in poorness, and make no money,
still they follow doing things. Shall we suggest them to give up with their
doings?
We do not know, except that there must me something.
The difference is only in the results. The jobs of the artisans of those of
the artists are the same. Leonardo painted an angel in a painting of his
teacher, and it is different from the other figures.They worked the same
way, used the same techniques, the same materials, they spent the same
amount of time, took the same breaks, etc.: no difference between the good
artisan and the genius, except in the results.
Post by Tim PantingIts an easier dichotomy to understand with the visual arts, as in Artist
and say 'Graphic Designer', but, I know the thread is moving,
tangent-wise, how does the composer for the guitar fit in?
He hasn't to fit in. There is no empty place in the world, to be filled by
someome who composes music for guitar, because he composes music for guitar.
It happens that one decides to compose a piece for guitar - why not - when
he has no space around him, and this may draw the profile of a composer of
music for guitar, which creates his own space in the moment he finishes
writing his piece in his own way. Before a new guitar piece comes to life,
there is no need of it. Since when it exists, it has the same utility of the
King, of the newspaper and of the national soccer team.
Post by Tim PantingAngelo, seems to fit the bill of 'artist' entirely.
How many are there in a similar situation to Angelo's?
All those who are ready to pay a similar bill.
Post by Tim Panting....getting back to difficult...how about Henze? Takemitsu?
These are composers of deep, expressive, powerfully human music. They works
aren't difficult - they are elaborated. I would suggest to replace the
criterion of difficulty with the criterion of elaboration. You have
material in your hands, you elaborate it into a form, a series of forms,
dictated by your mind. You have to reach the right point of elaboration,
corrisponding with what your mind asks for. This is the end of the work.
Picasso didn't say: I have painted many works, he said: I have brought many
different works each to its right level of elaboration.
The most elaborated guitar piece among those I read so far is Kurzeschatten
by B. Ferneyhough. It is one of those few pieces which - when reading their
scores - I cannot represent in my mind with a clear musical image. This
means that it is too elaborated for my musical mind, and I need a scale in
between to pick up a mental representation of it. I have to grow up.
I could copy it with Finale and have my mental gaps filled by a sound
created with algorhythms. It is an issue. There are other ones...
AG