In message <***@4ax.com>, Vicky Ayech
<***@gmail.com> writes:
[]
Post by Vicky AyechPost by SODAM<swerve> Has anyone else noted that people in Ambridge never take any
notice of what they are told?
Yes, but it's common in many dramas )-:.
Post by Vicky AyechPost by SODAMJim told Jazzer that he didn’t want to talk
about the abuse, so Jazzer kept persisting that he should. Then, when Jim
refused to report it to the police, Jazzer did. Emma said that, just after
they had broken up, she did not want to see Ed, so Susan booked a table for
them both at Gay Grables without telling either of them. Luckily, they
didn’t turn up so it didn’t matter. Lillian said she didn’t want anything
to do with the£500k fund, so Peggy made her the administrator.
In the case of celebrations, it's not unknown in real life: the surprise
party is, I'm afraid, not at all unknown. (I _hope_ I'll be spared this
coming St. George's day; I think I will, as I can't think who might
inflict it.) It also applies in employment: management often impose
things people have said they don't want, and I _sometimes_ feel they do
so just because of that (or it makes them _more_ likely to impose it
than just they think it would be beneficial). Talk of "outside your
comfort zone" (I really hate that concept, and am glad I've mostly
escaped it).
What I find particularly sad is that those who _do_ hold out are often
considered "not a team player", or otherwise spoilsports of one variety
or another. I was very much with Jim in his adamance (?) that he didn't
want anything; OK, I grant I was pleased when he _did_ seem to be
enjoying seeing his old friends, until of course the storyline was
hijacked.
Post by Vicky AyechPost by SODAMThese story lines are beyond intrusive and take nosey parkering to a new
level.
It's pretty common in British society, though (can't speak for rest of
world): I'm currently hearing a lot more about Harry and Meghan than I
want to.
Post by Vicky AyechPost by SODAMA similar theme occurs with Lillian getting the “expert” to advise
on The Bull when Kenton and Jolene were reluctant. She treats the place as
if it were her private plaything, in much the same way as the current
Being brutal: it is, isn't it?
s/US/world/
Post by Vicky AyechPost by SODAMI blame the script writers.
Absonuggeringlutely
(-:
--
J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)***@T+H+Sh0!:`)DNAf
... "Peter and out." ... "Kevin and out." (Link episode)