William Sommerwerck
2012-05-21 13:45:22 UTC
Yesterday I located the quad LP of Elliott Carter's 2nd and 3rd string
quartets. It's been over 35 years since I last heard it, and little has
changed. It is only slightly less opaque than I remembered.
If I had a thorough education in music, and had the scores in front of me,
perhaps I would understand, and even appreciate these works. But I don't,
and I don't. The chart showing how the various sections of the 3rd are
played in retrograde sequence, in opposition to each other is interesting,
but I don't hear that. * Am I supposed to listen to one pair of instruments
in isolation (which the quad recording makes possible, in principle), learn
what's going on, then repeat the process for the other group, finally (after
multiple listenings) playing them together?
I find myself in a position of hypocritical conflict. I don't object to
music that requires two or three hearings before we grasp it. (That's one of
the pleasures of listening to "serious" music.) But how far is this process
supposed to go? "Life is short." How much time am I supposed to spend in
order to grasp two Pulitzer-Prize-winning works? **
This is in contrast to the Three As, whose music I've gradually come to
enjoy (if that's the word), particularly in performances that reveal its
connections with earlier music. (I have no quarrel with the Juilliard
quartet's performances of the Carter works. They seem to be committed and
comprehending.)
Listening to Busoni's "Doktor Faust" later was a breath of fresh air. I
don't remember having heard it before, but it was immediately appealing.
It's hardly more "difficult" than Wagner. I'm surprised it's not a
repertoire work. As for DFD in the title role... He voice didn't strike me
as being unduly lightweight. (I had to double-check the box to confirm it
was he.)
* My SQ decoder appears to have failed, and I'm not getting the correct
directional effects. "It was working just fine a few years ago." Some
research is needed.
** It's tempting to theorize the Pulitzer judges award prizes to works
//they// don't understand, on the assumption such music must be Highly
Elevated Art (qv, "Patience"). If I wanted to be really mean, I'd follow
Gilbert's lead and call such works "laxative music".
quartets. It's been over 35 years since I last heard it, and little has
changed. It is only slightly less opaque than I remembered.
If I had a thorough education in music, and had the scores in front of me,
perhaps I would understand, and even appreciate these works. But I don't,
and I don't. The chart showing how the various sections of the 3rd are
played in retrograde sequence, in opposition to each other is interesting,
but I don't hear that. * Am I supposed to listen to one pair of instruments
in isolation (which the quad recording makes possible, in principle), learn
what's going on, then repeat the process for the other group, finally (after
multiple listenings) playing them together?
I find myself in a position of hypocritical conflict. I don't object to
music that requires two or three hearings before we grasp it. (That's one of
the pleasures of listening to "serious" music.) But how far is this process
supposed to go? "Life is short." How much time am I supposed to spend in
order to grasp two Pulitzer-Prize-winning works? **
This is in contrast to the Three As, whose music I've gradually come to
enjoy (if that's the word), particularly in performances that reveal its
connections with earlier music. (I have no quarrel with the Juilliard
quartet's performances of the Carter works. They seem to be committed and
comprehending.)
Listening to Busoni's "Doktor Faust" later was a breath of fresh air. I
don't remember having heard it before, but it was immediately appealing.
It's hardly more "difficult" than Wagner. I'm surprised it's not a
repertoire work. As for DFD in the title role... He voice didn't strike me
as being unduly lightweight. (I had to double-check the box to confirm it
was he.)
* My SQ decoder appears to have failed, and I'm not getting the correct
directional effects. "It was working just fine a few years ago." Some
research is needed.
** It's tempting to theorize the Pulitzer judges award prizes to works
//they// don't understand, on the assumption such music must be Highly
Elevated Art (qv, "Patience"). If I wanted to be really mean, I'd follow
Gilbert's lead and call such works "laxative music".
--
"We already know the answers -- we just haven't asked the right
questions." -- Edwin Land
"We already know the answers -- we just haven't asked the right
questions." -- Edwin Land