AJB
2019-07-14 05:56:22 UTC
According to the College of Arms and the acknowledged authority on crests, “Fairbairn's Book of Crests,” the only person entitled to use a crest is the person, to whom the crest is originally granted, and the direct male descendants of said person. The Herald’s records indicate that the Washbourne Crest is described thus: “On a wreath a bundle of flax argent, surmounted by another wreath and thereon flames of fire proper.” This crest was first granted to John Washbourne, Knight of Wichenford who died circa 1430 and whose tomb Habingdon described: “A man armed all saving his head, under which lyeth his helmet with a wreath and thereupon a flame of fire…”. We know the grantee was John because John’s father Peter was not a knight and so could not be granted a crest that rested upon a wreath during this time period. Peter’s father John, married to Isabella de la Mare, was a knight but he was dead before the use of crests became widespread under Edward III. Further, the Harleian Manuscripts never show this John’s arms with the crest. In addition to appearing upon John c. 1430’s Wichenford tomb, the crest is also often included in renderings of the Washbourne coat of arms when shown quartered with Poher in the Harleian Manuscripts. John had two sons with Margaret Poher: Norman, father of John of Wichenford (1517) and John.
Subsequently, a male Washbourne, descended from the original grantee of the crest, the John Washbourne who was buried at Wichenford in c. 1430, placed the Washbourne of Wichenford Crest into the glass of a small church window in old St. Peter’s Church, Bengeworth Worcestershire. The church was demolished in 1872 but the then Vicar preserved fragments of the windows, including the one bearing the Washbourne crest. E.A.B. Barnard, FSA, documents the survival of the crest for us in his book “Some Notes on the Evesham Branch of the Washbourne Family.” He tells us that the only pieces of the window that survived were the “wreath with flames proper thereon.” Barnard also tells us that the glass was subsequently taken to London and subjected to "expert examination" which verified that it was indeed a fragment of the Washbourne of Wichenford Crest. The remounting of the surviving fragments of glass, in a surround of glass pieces not original to the window, is unfortunate because it gives the impression that the wreath is seated upon a shaft, which the original surviving pieces did not include. Further, the remounted window appears to have been mounted reversed, as it would have been seen from outside of the church. However there are six windings or turns, which is proper for a heraldic wreath. The form of the wreath is specific to heraldic crests. Fairbairn describes it thus: “The wreath is a skein of colored silk and a cord of gold or silver twisted together in six turns.” The colors of the wreath should have been argent and gules with argent coming first, in accord with the field of the Washbourne arms. Barnard tells us that the first color is instead of a greenish tint but dismisses this as a typical shift of tincture often encountered in reproductions of heraldic glass. I rather suspect that the artisans may have used clear glass to represent the argent (silver), resulting in glass with a greenish cast. This is sometimes encountered in medieval glass and is usually due to the presence of too much iron oxide in the batch ingredients used. We observe this same corruption in another piece of heraldic glass that also survived the St. Peter’s demolition. While the crest may have been placed in the church at any time between 1430 and 1872, the most likely time period will have been sometime in the early 1600s when the use of crests alone, removed from the helm, became widely popular in England. Here is a link to Barnard.
https://archive.org/details/somenotesonevesh00barn/page/80
The presence of the Wichenford Washbourne Crest in a window of old St. Peter’s Church Bengeworth, Worcestershire, proves that a direct male descendant of Sir John Washbourne, Knight, dead c. 1430, placed the Washbourne Crest there and provides us with substantial evidence that a direct familial connection did exist between the Washbournes of Wichenford and those of Bengeworth, Worcestershire. AJB
Subsequently, a male Washbourne, descended from the original grantee of the crest, the John Washbourne who was buried at Wichenford in c. 1430, placed the Washbourne of Wichenford Crest into the glass of a small church window in old St. Peter’s Church, Bengeworth Worcestershire. The church was demolished in 1872 but the then Vicar preserved fragments of the windows, including the one bearing the Washbourne crest. E.A.B. Barnard, FSA, documents the survival of the crest for us in his book “Some Notes on the Evesham Branch of the Washbourne Family.” He tells us that the only pieces of the window that survived were the “wreath with flames proper thereon.” Barnard also tells us that the glass was subsequently taken to London and subjected to "expert examination" which verified that it was indeed a fragment of the Washbourne of Wichenford Crest. The remounting of the surviving fragments of glass, in a surround of glass pieces not original to the window, is unfortunate because it gives the impression that the wreath is seated upon a shaft, which the original surviving pieces did not include. Further, the remounted window appears to have been mounted reversed, as it would have been seen from outside of the church. However there are six windings or turns, which is proper for a heraldic wreath. The form of the wreath is specific to heraldic crests. Fairbairn describes it thus: “The wreath is a skein of colored silk and a cord of gold or silver twisted together in six turns.” The colors of the wreath should have been argent and gules with argent coming first, in accord with the field of the Washbourne arms. Barnard tells us that the first color is instead of a greenish tint but dismisses this as a typical shift of tincture often encountered in reproductions of heraldic glass. I rather suspect that the artisans may have used clear glass to represent the argent (silver), resulting in glass with a greenish cast. This is sometimes encountered in medieval glass and is usually due to the presence of too much iron oxide in the batch ingredients used. We observe this same corruption in another piece of heraldic glass that also survived the St. Peter’s demolition. While the crest may have been placed in the church at any time between 1430 and 1872, the most likely time period will have been sometime in the early 1600s when the use of crests alone, removed from the helm, became widely popular in England. Here is a link to Barnard.
https://archive.org/details/somenotesonevesh00barn/page/80
The presence of the Wichenford Washbourne Crest in a window of old St. Peter’s Church Bengeworth, Worcestershire, proves that a direct male descendant of Sir John Washbourne, Knight, dead c. 1430, placed the Washbourne Crest there and provides us with substantial evidence that a direct familial connection did exist between the Washbournes of Wichenford and those of Bengeworth, Worcestershire. AJB