Joe Vitale
2006-01-14 00:04:50 UTC
Recently made available to me by my local used store were two Mahler
Fourths: Ben Zander's Philharmonia account on Telarc and Maurice
Abravanel's 1974 recording on Vanguard. Both accounts are my first
introduction to these two Mahlerians and both surprised me in their own
way.
I don't know why I've never purchased any of Abravanel's Mahler recordings
before but for whatever reason, this Vanguard CD of the Fourth is the first
to enter my collection, and after witnessing the quality of this
performance, it won't be my last. It's one of those readings that makes one
say yes, this is how it's supposed to go -so correct it is in its
mood and feeling. The playing of the Utah band is gorgeous especially as
heard in the warm glow of the period analogue sound that comes across
vividly but also very natural and has been remastered here (according to
the liner notes) using some restored vintage-valve Ampex equipment. The
soloist in the last movement, Netania Davrath (1931-1987) seems to have
been made for the part and her relaxed but secure performance prompts me to
seek out more of her recordings (are there any?). My question is; are the
rest of the Abravanel/Mahler recordings on as a high order as this one?
(Vanguard OVC 4007)
After reading some pretty adoring reviews here of Zander's Mahler I was
slightly disappointed with this performance of the Fourth that appeared to
me as merely serviceable. There's nothing really wrong with it but I didn't
hear anything distinctive as I hoped. Perhaps the other Zander/Mahler
releases offer something different than this one.
Probably the best thing about this 2001 Telarc release is the accompanying
second CD that offers an interesting talk by Zander on the Mahler Fourth
that is informative (but not pedantic) and reveals a personable Zander and
his love of Mahler. Also included with the talk are small music excerpts
from the works of other composers that are drawn from the Telarc back
catalogue, and of other labels (something which I found odd -did Telarc
really find it necessary to license Reiner's Beautiful Blue Danube RCA
recording when they have their own? Or Ormandy's Saint-Saens Dance Macabre
from Sony when Telarc's Kunzel is available?). Included in these musical
references is an excerpt of a recorded live performance of the Mahler
Fourth by Zander that uses an actual boy soprano in the last movement
(James Westman). The fine quality of the singing from the lad really
astonished me and that combined with the good recording quality makes me
wish Telarc included this as an alternate performance on a third CD.
(Telarc 2CD-80555)
Fourths: Ben Zander's Philharmonia account on Telarc and Maurice
Abravanel's 1974 recording on Vanguard. Both accounts are my first
introduction to these two Mahlerians and both surprised me in their own
way.
I don't know why I've never purchased any of Abravanel's Mahler recordings
before but for whatever reason, this Vanguard CD of the Fourth is the first
to enter my collection, and after witnessing the quality of this
performance, it won't be my last. It's one of those readings that makes one
say yes, this is how it's supposed to go -so correct it is in its
mood and feeling. The playing of the Utah band is gorgeous especially as
heard in the warm glow of the period analogue sound that comes across
vividly but also very natural and has been remastered here (according to
the liner notes) using some restored vintage-valve Ampex equipment. The
soloist in the last movement, Netania Davrath (1931-1987) seems to have
been made for the part and her relaxed but secure performance prompts me to
seek out more of her recordings (are there any?). My question is; are the
rest of the Abravanel/Mahler recordings on as a high order as this one?
(Vanguard OVC 4007)
After reading some pretty adoring reviews here of Zander's Mahler I was
slightly disappointed with this performance of the Fourth that appeared to
me as merely serviceable. There's nothing really wrong with it but I didn't
hear anything distinctive as I hoped. Perhaps the other Zander/Mahler
releases offer something different than this one.
Probably the best thing about this 2001 Telarc release is the accompanying
second CD that offers an interesting talk by Zander on the Mahler Fourth
that is informative (but not pedantic) and reveals a personable Zander and
his love of Mahler. Also included with the talk are small music excerpts
from the works of other composers that are drawn from the Telarc back
catalogue, and of other labels (something which I found odd -did Telarc
really find it necessary to license Reiner's Beautiful Blue Danube RCA
recording when they have their own? Or Ormandy's Saint-Saens Dance Macabre
from Sony when Telarc's Kunzel is available?). Included in these musical
references is an excerpt of a recorded live performance of the Mahler
Fourth by Zander that uses an actual boy soprano in the last movement
(James Westman). The fine quality of the singing from the lad really
astonished me and that combined with the good recording quality makes me
wish Telarc included this as an alternate performance on a third CD.
(Telarc 2CD-80555)