Post by Jim F.Selecting few lines from _Sonnets_ to support one's assumption of
Shakespeare, especially the true authorship, is backward reasoning.
[SIDNEI] wasn't my candidate:
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Mr. [E]dw. [DYER] "bore the canopy" {For}[SIDNEI]:
. http://tinyurl.com/ptpxsdu
.......................................................
. Sonnet 125
. WEr't ought to me I "bore the canopy",
. With my extern the outward honoring,
. Or layd great bases {For} eternity,
. Which proues more [S]hort then wast or ruining?
. Haue [I] not seene dwellers on forme an[D] fauor
. Lose all,and more by payi[N]g too much rent
. For compound sw[E]et;Forgoing simple sauor,
. Pitt[I]full thriuors in their gazing spent.
. Noe,let me be obsequious in thy heart,
. And take thou my oblacion,poore but free,
. Which is not mixt with seconds,knows no art,
. But mutuall render onely me for thee.
. Hence,thou subbornd Informer, a trew soule
. When most impeacht,stands least in thy controule.
.......................................................
. <= *26* =>
.
. {F o r} e t e r n i t y,W h i c h p r o u e s m o r e
. [S] h o r t t h e n w a s t o r r u i n i n g?H a u e
. [I] n o t s e e n e d w e l l e r s o n f o r m e a n
. [D] f a u o r L o s e a l l,a n d m o r e b y p a y i
. [N] g t o o m u c h r e n t F o r c o m p o u n d s w
. [E] e t;F o r g o i n g s i m p l e s a u o r,P i t t
. [I] f u l l t h r i u o r s i n t h e i r g a z i n g
{For}[SIDNEI] *26*
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. Sonnet 47
. BEtwixt mine eye and heart a league is tooke,
. And each doth good turnes now vnto the other,
. When that mine eye is famisht {For} a looke,
. Or heart in loue with [S]ighes himselfe doth smother;
. W[I]th my loues picture then my eye [D]oth feast,
. And to the painted ba[N]quet bids my heart:
. An other tim[E] mine eye is my hearts guest,
. And [I]n his thoughts of loue doth share a part.
. So either by thy picture or my loue,
. Thy seife away,are present still with me,
. For thou nor farther then my thoughts canst moue,
. And I am still with them,and they with thee.
. Or if they sleepe, thy picture in my sight
. Awakes my heart,to hearts and eyes delight.
.......................................................
. <= *26* =>
.
. {F o r} a l o o k e,O r h e a r t i n l o u e w i t h
. [S] i g h e s h i m s e l f e d o t h s m o t h e r;W
. [I] t h m y l o u e s p i c t u r e t h e n m y e y e
. [D] o t h f e a s t,A n d t o t h e p a i n t e d b a
. [N] q u e t b i d s m y h e a r t:A n o t h e r t i m
. [E] m i n e e y e i s m y h e a r t s g u e s t,A n d
. [I] n h i s t h o u g h t s
.
{For}[SIDNEI] *26*
.
Prob. of 2{For}[SIDNEI]s same skip ~ 1 in 34,000,000
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Post by Jim F.Exist any ELS with a full name like "Philip Sidney"
or "Edward de Vere" in Shakespeare's works?
None that I've found.
Even your Hero Marlow got a little bent:
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Peirs Gaveston Earle of Cornwall
His life, death, and fortune.
by Drayton, Michael, 1563-1631.
.................................................
Or like th[E] twifold-twynned Geminy,
In their star-gilded [G]yrdle strongly tyed,
Chayn'd by their saffron[D] tresses in the sky,
Standing to guard the sun-c[O]che in his pride.
Like as the vine, his loue the E[L]me imbracing,
With nimble armes, our bodies in[T]erlacing.
.
[T.LODGE] -38
The Barrons hearing how I was arriVed,
And that my late abiurement naught preuailed,
By my returne, of all their hope depriued,
Theyr bedlam rage no longer now concealed:
But as hote coles once puffed with the wind,
Into a flame outbreaking by their kind.
Like to a man whose foote doth hap to light,
Into the nest where stinging Hornets ly,
Vext with the spleen, and rising with despight,
About his head these winged spirits fly.
Thus rise they up with mortall discontent,
*BY DEATH* to end {M}y life and b{A}nis[H]ment.
O{R} lik[E] to sou{L}die[R]s in a T{OW}ne [O]f war,
When Sentinell the enemy discries,
Affrighted with this unexpected iar,
All with the fearefull Larum-bell arise,
Thus muster they; (as Bees doe in a hyve,
The idle Drone out of their combes to dryve.)
..........................................
. <= 10 =>
.
. *B Y D E A T H* t o e
. n d {M} y l i f e a n
. d b {A} n i s [H] m e n
. t. O {R} l i k [E] t o s
. o u {L} d i e [R] s i n
. a T {O W} n e [O] f w a
. r,
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Post by Jim F.Philip Sidney was painful for *25* days and freed on the 26th.
Sir Philip Sidney, who having his Horse slain under him,
and getting upon another, was shot into the thigh, and
*25* days after, in the flower of his age, died.
——A Chronicle of the Kings of England, 1670
He's a "painful warrior"; his full name is sealed in line 9 of sonnet
*25* via one-way anagram: "The painful warrior famoused for worth."
Finding the author of sonnet 25 may support this assumption, for
the right answer can reason every word of sonnet 25 to reach
"Whilst I whom fortune of such triumph bars" that spells
Christopher Marlowe, a Wilton House poet.
LEt those who are in fauor with their stars,[1]
Of publike honour and proud titles bost,
Whilst I whome fortune of such tryumph bars
Vnlookt for ioy in that I honour most;
Great Princes fauorites their faire leaues spread,[5]
But as the Marygold at the suns eye,
And in them-selues their pride lies buried,
For at a frowne they in their glory die.
The painefull warrier famosed for worth,[9]
After a thousand victories once foild,
Is from the booke of honour rased quite,
Then happy I that loue and am beloued [13]
Where I may not remoue, nor be remoued.
Line 6 spells Mary Sidney, hinted by "Marygold"; she is
Philip Sidney's sister and patroness of Wilton House poets.
Actually, every flower in _Sonnets_ projects someone to match
with its context. A good example is the six flowers in sonnet 99
that seal six names via one-way anagram, and the speaker tells
what sin each has done.
Perhaps.
Art Neuendorffer